Extraction fans – low level cyclical whirrr.

playback > > Musak – AOR style audio backdrop centred upon coffee bar.

Coffee machine and clatter of cups, saucers, glassware. People are working here. Polish girls and Asian boys.
dOk / tink / Kling
Most people are silent.

Mother with small child,
“He’ll not be a moment…”

Male voice, “Freaks me out that…(Yorkshire accent)

Mother, “…certainly do…“,

Male voice, “Watching telly…and call Ian. This was the last time. I was in bed. Fucking hell. Then the next day…”

Fruit machines are silent from here, but their lights are flashing.

Distinctive click of a metal Zippo lighter from behind me.

Unidentified electronic pulse. 2 second duration.
Continued whirrr of extractors and coffee bar in background.

General atmosphere is quiet, calm, pensive, synthetic. Colour – light grey.

Mobile phone incoming message tone from woman at table 2 meters away.

Male voice, “It’s not worth it”. The Yorkies continue their chat.

Subsonics from engines outside the large rectangular windows penetrate the interior. Felt rather than heard.

Female flight announcer on public address system. A flight to Glasgow.

“…All other passengers remain seated. BMI wishes you a pleasant journey”.

Reasonable audio fidelity and diffusion. Clear, good frequency response.

Moog sound in musak track suggests possible merging with electronic tones of mobile phone tones.

From behind, new female voice, “…basically, she’s still waiting.”

Male voice, “She’s paranoid.”

Same female voice, “…you can still plough on. I hope it all works out.”

Same male voice, “It’ll never change.”

I am asked for a light.

Outside of the smokers’ area, a silenced TV gives news of Iraq violence, Lebanon Funerals and the Russian spy is dying.

playback > > Female flight announcer. Flight to Manchester.

“Business class passengers can board at their leisure”.

Her voice, too close to the mic pops and distorts on the ‘B’, ‘c’, ‘p’, and ‘b’. Pop shield required.

playback > > “Since you been gone…”

Swooshhhhhh swell of air conditioning.

(breath, sigh, and coffee machine).

sploosh,

pockle

playback > > Female flight announcer,”Thankyou for waiting.”

Through the large windows an aeroplane pulls in. No sound can be heard. Strangely dislocating.

Passengers have boarded the flights to Glasgow and Manchester. Ambient sound levels have fallen. The TV is now audible. I can hear the weather report from the widescreen display (BBC 24).

The blandly carpeted floor silences footsteps. I decide to leave the smokers’ area, and go towards the waiting area by the departure gate.

The Blurred Compilation Album: Through Coffee Machines, Applause and Near Silence to Just Sound.

A Sonic Journey from Hackney to Aberdeen. 23-26 November 2006

Blurring of the Boundaries Conference. Music Department. University of Aberdeen

A series of writings on sound.

To be read in indeterminate order.

SIDE A

track 1)
| 23.11.06.| 15.00hrs | Smokers’ area. Heathrow Airport. Terminal 1 Departures. Gate 8

track 2)
| 15.30hrs | On aircraft. Flight BD676

track 3)
| 15.45hrs | Reception Area / Café, MacRobert Building. Uni. of Aberdeen

track 4)
| 18.00hrs | Lecture Theatre, MacRobert Building. Uni. of Aberdeen

track 5)
| 18.45hrs | Christina Kubisch “A Personal History of Sound Art 1976-2006″

track 6)
| 20.00hrs | Jerome Hansen, “Mapping the Studio (Fat Chance Matmos): Sonic and visual arts connected through the artist’s workspace.”

track 7)
| 20.30hrs | Joyce Shintani ‘Working the In-Between.’ A ‘Feminine Reading’ of Maryanne Amacher’s Sound Art

track 8 )
| 21.00hrs | David Prior |Soundwalking as a Research Tool:
Some thoughts on the use of Soundwalking in the Warwick Bar development project

SIDE B

track 9)
| 25.11.06 10.00hrs | Lecture Theatre, MacRobert Building. University of Aberdeen | Chris Byrne “Streaming Media and Networked Radio”

track 10)
| 10.45hrs | Keynote Address | Rajesh Mehta “Sounding Buildings: New Music and New Architecture”

track 11)
| 16.15hrs | Concert Hall | Nouritza Mattosian and Rohan de Saram “The World of Xenakis”

track 12)
| 20.00hrs | Concert Hall | Keith Rowe, Rajesh Mehta, and Rohan de Saram Improvised Performance

track 13)
| 21.00hrs | Bill Thompson and Patrick Keenan – Improvised Performance

track 14)
| 26.11.06 | 09.45hrs | Lecture Theatre, MacRoberts Building, Uni.of Aberdeen | Owen Green “More Than ‘Just a Hammer': Critical Techniques in Electroacoustic Practice”

track 15)
| 10.00hrs | Dugal McKinnon, Spectral Memories. The Aesthetics of the Record

track 16)
| 10.45hrs | Jana Phillips, “Sonic Postcards: A consideration of the interdisciplinary and artistic possibilities of a school-based sound education project” & Adam Proctor “See Hear Inverurie”

track 17)
| 11.30hrs | Keynote Address |Jonty Harrison “Dilemmas, Dichotomies and Definitions: acousmatic music and its precarious situation in the arts”

track 18)
| 13.30hrs | Concert Hall. Acousmatic Concert Over a multi-channel loudspeaker diffusion system

1. Pete Stollery | ‘scenes /rendez-vous’
2. James Wyness | “Metallurgy”
3. Jonty Harrison – Unsound Objects

track 19)
| 15.30hrs  | Plenary Session

(bonus hidden track)
| 21.43hrs | Belmont Cinema bar, Aberdeen

Millenial popmusic we thought.

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Choka Honey Calamo (discordia)

run down the calamari / gun down the minibar
suck up an H of honey / fuck up and burn your money
your ink is disingenous / you’re pierced by the tower of genepool
calaboosh you cannot partir / she had no part of me

cephalopod intimation / puff clouds in the nation of
this is disinformation / bang the squares bash the squares
summer school confutatis / inkcloud rorschach you’re no artist
your puff it has no function / encased as you are in galveston

swing down on candelabra / tell the cloud that you can see her there
ink up your brand new print-press / take a breath, touch her breast, her fin
and she looks so funny / said arms, lines of honey-milk
impress no magazine-mould / magnetic, she has been sold out

the prioress asks of dias / if his trips could ever free us
baby calamo goes to ask him / if he ever knew the captain
set sail for africa / blown off course, of course, it’s par for
hold her tongue in vice for hours / stop flow … we should go and shower

get right back to the calamaro / years later at the alamo
check your body’s re-volution / check yr think of evolution
ingenue – she wished she flew / dias’ dearest wish to find her
kick about and blow out umbra / when he comes there … discordia.

Credits
Peter Lowis – bottom ended
Ross Diamond – production
Jason Gleeson – jazzmstr co-director
J Milo Taylor – mosrite co-director

Sad it had to end – cut my teeth here – paid some dues – made some musicksound – made some great friends

http://www.gertruderock.com/