InCounter at the Bussey Building

A programme of video works and live sound performances exploring process and structure.

sainswn (wales/england)

new sonic realities based in the dynamics and experience of movement in, between and through place and non-place. entities and environments. trajectories and tracings. mediation and event. themes of immersion, transit, non-human intelligences, infrasonic and ultrasonic forces. the work is entirely based upon notions of listening as composition. reception as construction. perception as the primary generative.

Incounter website



Year: 2010
Location: Quare Gallery, London
Worktype: Sound Installation
Materials: found speakers, 5.1 amplifier, squalor, dirt, voices, granulation, resonance, darkness.

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Live performance commission based around the concept of ‘source-code’ which became an econo sound installation exploring some of the theoretical writing about sound proposed by Salomé Voegelin in her Listening to Noise and Silence: toward a Philosophy of Sound Arts, Continuum Press, NY, ISBN: 9781441162076

Exhibition documentation including video piece “Observer-Observing (Ears, Eyes, Ears & Mouth)” (2010) following Takahiko Iimura, Observer/Observed/Observer, chapter Camera 1/2 – Monitor 1/2

Quare Gallery, London
http://www.or-bits.com/

http://www.scrapclub.co.uk/




A this article appears in Playing with words: The Spoken Word in Artistic Practice Edited by Cathy Lane

A collection of responses from over 40 leading contemporary composers and artists who were invited to represent aspects of their creative practice with words, and in particular, the spoken word, for the printed page.

The book concentrates on the kinds of creative play to be found in different sound based genres such as electroacoustic music composition, text sound composition, and sound poetry while reflecting artistic practices in disciplines of such as digital arts, electronic, concrete and experimental poetry, performance art and fine art.

The contributors have chosen to represent their work in a variety of different ways which include writing, graphics, poetry, photographs and through interview.

Playing with Words is designed by Colin Sackett and published by CRiSAP in collaboration with RGAP.

Year: 2006
Location: Coldstorage Exhibition, Kühlhaus am Gleisdreieck, Luckenwalderstr. 3, Kreuzberg, Berlin, Germany
Worktype: Soundwork
Materials: ice, vinyl test tones, baritone guitar, misery box, granulation, voice

Material Investigation 7 – Part 1

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Material Investigation 7 – Part 2

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Material Investigation 7 – Part 3

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Material Investigation 7 – Part 4

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Material Investigation 7 – Part 5

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Year: March 2006 – November 2006
Location: Whitechapel Gallery, London.
Worktype: 4-channel indeterminate electro-acoustic composition

3 versions iteratively produced over 2006.


Year: 2003
Location: Germany
Worktype: Sound Installation / Performance
Materials: Mobile Webcam, space, location, found objects and people
Info: Factory Berlin

Between 2002-2004 I made a series of visits to an artist-run space in the old industrial area of Schöneweide, East Berlin where I presented a number of sound installations and performances. This short film documents some of the activity from that time.

Tief und weit / dunkel / kuehl / klar / heel und unbegrenzt / ist der indusrielle raum.

One of the largest areas of now abandoned industrial production and around Berlin can be found in Berlin-Schoneweide. It forms part of the European industrial cultural heritage. Beautiful monuments create the atmosphere of this part of Berlin. They bear witness to the former industries and determine to this day the lives of those who live there. Most of the warehouses and factories gleaming in yellow brick are situated alongside The River Spree. A road runs through their middle. The workers’ living quarters were erected on one side of this road, the sites for production in the other. When AEG/TRO and KWO closed down in 1996, about 25,000 men and women lost their jobs.”

Deep and wide / dark / cool / clear / bright and endless / is the industrial space.

Factory- Berlin

This local area and its current state
Vacant industrial sites
Position and articulate
Within the chosen concept
Recognised / realised / ignored / overcome / resolved
Diversity of the location
Immmerse
Paths of exploration
The enviroment that helped shape those works
He’s doing artificial things