a view of the water’s surface as the membrane of a primitive conciousness
the body of water begins with relative stillness
organic materials decomposing
the sound of rain from high above
wind creating ripples and waves
the seasonal freezing and melting of the water – transformations from liquid to solid and back again
life, as yet is unknown in this environment
the volume of water increases and decreases related to icemelt, daily evaporation, and flow into and out of the pond
a primitive lifeform struggles into exisitence, spasms into beingness, twitches, pulsates in irregular, unregulated beingness
it begins to increase in complexity,though remaining highly simplified. neural links connect matter, and unanimated matter, becomes imbued with life. a cellular lifeform comes into being.
on the other side of the pond, a similar process occurs, but an all together different life form is generated. it slowly becomes self-aware
lifeform 1 in coming into existence, betrays its location to lifeform 2. how does it react? does it attempt to conceal itself? does it attempt to communicate? does it attempt a violent confrontation? which is hunter. which is prey? lifeform 2 must also react? co-modulation of behaviours. co-evolution. in this way a neural connection between seemingly distinct entities contribute to the emergent conciousness of the pond as a whole.
following the resolution of the issues outlined in narrative three, a further life-form comes into being. more complex. the next generation of life in the pond. how does its apperance affect lifeforms 1 and 2? how does it change their relationship?
a contextual cataclysm – a flood / a drought. all life comes to an end.
Inspired and dedicated to David Dunn.
Audrey Chen (cello/voice/electronics)
Werner Moebius (electronics)
J Milo Taylor (electronics/electric baritone guitar)
Audrey Chen is a Chinese-American musician and performance artist born outside of Chicago in 1976. Using the cello, voice and analog electronics, Chen’s work focuses on the combination and layering of traditional and extended techniques. A large component of her music is improvised and her approach to this is often extremely personal and visceral. Her performance work incorporates sound, movement and visual/sculptural concepts. Chen performs solo and in collaboration with a wide number of musicians and dancers. Among musicians, she has worked with many great artists, including Phil Minton, Tetuzi Akiyama, Toshimaru Nakamura, Ko Ishikawa, Elliott Sharp, Aki Onda, Phill Niblock, Frederic Blondy, Jim Pugliese, Alessandro Bosetti, Mike Cooper, Mats Gustafsson, Mazen Kerbaj, Michael Zerang, Tatsuya Nakatani, Le Quan Ninh, Joe Mcphee, Susan Alcorn, Michele Doneda, Paolo Angeli, and Gianni Gebbia. Some current projects include: duos with Phil Minton, Frederic Blondy, Robert van Heumen, Katt Hernandez, Nate Wooley, a new trio project with Nate Wooley and C. Spencer Yeh, 3AandE: with Seamus Cater, Robert van Heumen and Nate Wooley and Trockeneis: with Andy Hayleck, Dan Breen, Catherine Pancake and Paul Neidhardt. Chen has performed in Europe, Russia, Australia, New Zealand, China, Japan, Taiwan and the USA. She is currently based in Baltimore, MD USA where she is member of the Red room and High Zero Collective, an on-going series and international festival devoted to experimental improvised music.
Werner Moebius works with sounds, beats and files in the context of audio culture, sonic and intermedia art in between conceptualisms,contemporary music, electroacoustic improvisation and electronica. He uses the plasticity of sound to set up dialogues with other media and music methodologies. From abstract sound material he creates a unique mix of styles ranging from minimalistic soundscapes to weird instrumental poppy tunes. Generating sounds is taken as a basis to develop complex compositions as well as audiovisual and transitive concepts in collaborations with artists of differing media.
Works, performances and collaborations with many artists including Fennesz, Christoph Kurzmann, Gelatin, F.M.Einheit, David Moss, Jason Khan, N.U.Unruh, Hans Joachim Roedelius, Billy Roisz, Cornelie Müller, Alexeij Sagerer, Hanno Leichtmann, Johannes Strobl, Stephan Mathieu, Rudi Mahall, Didi Bruckmayer, Alexander de Goederen, Oliver Hangl, Ulli Koscher, Heidrun Holzfeind, Paul Divjak, Georg Wagenhuber, Christoph Hinterhuber, Machfeld, Gernot W. Koza, Frenk Lebel, Hans Falb, Stefan Parnreiter, Renèe Stieger, Phillip Quehenberger, Marco Eneidi, Hermann Stangassinger, Hannes Schweiger, Wilbert de Joode, DD Kern, Lee Patterson, Gene Coleman, Todd Carter , Mariella Greil.
2) Breaking the Frozen Radio Sea
3) Uncertainty Relation (Memory tastes Metallic)
4) International Slo-Mo (As Recalled by Room Herself)
5) Spatial Resonances in Eventmind (Fly in Flames)
Bilwa Costas, Mariella Greil, Werner Moebius, Emily Sweeney, J Milo Taylor
In ancient Greek, the name of Athens was [ha atna], related t? [h atn] and its dialectal variant[h at´n], the Attic and Ionic names respectively of the goddess Athena, the goddess of war and wisdom. The city’s name may have been in the plural, like those of (Thêbai) and (Mukênai), because it consisted of several parts. In the 19th century, was formally re-adopted as the city’s name. Since the official abandonment of Katharevousa Greek in the 1970s, however, the popular form (Athína) has become the city’s official name, though the plural may be kept for several purposes in literature.
fuk the polees
the destruction of athens
Pangrati, Ambelokipi, Exarcheia, Ano Patissia, Kato Patissia, Ilissia, Ano and Kato Petralona, Mets, Koukaki and Kypseli,
one of the longest of any city in Europe or the world; it has been 1981 885,737 – – continuously inhabited for at least 3,000 years
980s it became 1896 123,000 evident that smog from a conglomeration of historic gas factory distinct towns and villages that major waste management Greco-Roman, Neo-Classical, to modern efforts undertaken in the last decade gradually expanded and merged into people of all ages who will sing, dance and drink till dawn a single large metropolis; 1991 772,072 – 3,444,358 most of this expansion occurred during the second half of the 20th century factories Panathinaikos Football 1908 Super League Greece Apostolos Nikolaidis Stadium
Olympiacos Football 1925 Super League Greece Georgios Karaiskakis Stadium
AEK Football 1924 Super League Greece Athens Olympic Stadium
Panionios Football 1890 Super League Greece Nea Smyrni Stadium
Atromitos Football 1950 Super League Greece Peristeri Stadium
Egaleo FC Football 1930 B Ethniki Egaleo Stadium
Panathinaikos BC Basketball 1908 A1 Ethniki Athens Olympic Stadium
AEK Athens Basketball 1924 A1 Ethniki Galatsi Center
Panionios Basketball 1890 A1 Ethniki Helliniko Arena
Maroussi BCE Basketball 1970 A1 Ethniki Maroussi Arena
Spartakos Glyfadas Baseball 1990 National Baseball League Helliniko Baseball Center
Maroussi 2004 Baseball 1990 National Baseball League Helliniko Baseball Center
Athinaikos Handball 1927 National Handball League Helliniko Arena
Athens Rugby Rugby 1990 National Rugby League Athens Olympic Stadium
Starbucks Rugby Rugby 1983 National Rugby League Athens Olympic Stadium and an ever demotika diamerismata increasing fleet of automobiles, as well as a the Athenian 2001 745,514 climate is very dry the Attica 1971 867,023 – – region experienced a number of brush fires, including one that burned a 1921 (Post-Population exchange) 718,000 significant portion parking facilities, cocktail drinks and umbrellas of a large forested national park in Mount Parnitha – considered Omonia Square (Greek:critical to maintaining better air in Athens all year round. Damage to the 1833 4,000 – –
1870 44,500 – –
1921 (Pre-Population exchange) 473,000 – –
1991 772,072 – 3,444,358
3,130,841 3,761,810[park has led to worries over a stalling in the tap rebetadika water is rebetadika safe, and of very good quality. improvement of air rebetadika quality rebetadika in the city.compared with most of Syntagma mediterranean Europe lack of Syntagma adequate free Syntagma Snowfalls rebetadika occur everydue to overcongestion, had evolved into the PsirriPsirriPsirriPsirri city’s most important challenges.
anti-pollution measures Attiki Odos ring road a much more functional city. bound Syntagma by Mount Aegaleo in the west, Mount Parnitha in the north, Mount Penteli in the northeast, Mount Hymettus in the east, and the Saronic Gulf in the southwest he carved details on the five Plaka, Monastiraki, and Thission caryatids of the Erechtheum have seriously degenerated, Ekali, Nea Erythrea, Agios Stefanos, Drosia, Kryoneri, Attica, Kifissia, Maroussi, Pefki, Vrilissia, Melissia, Pendeli, Halandri, Psychiko and Filothei while the face of the horseman on the Parthenon’s west side is all but obliterated.
Occasional Solo Outings | Solo Expanded Guitar | Acoustic | Electric | Electronic |
| Heroes | Antiheros | Zeros |
john fahey, robert johnson, christian fennesz, godspeed you black emporer, animal collective, ry cooder , woody guthrie, leadbelly, richard thompson, nick drake, skip spence, 6 organs of admittance, sunburned hand of the man, boris, sunn o)), pauline oliveros, hidegarde westekamp, halim el dabh, nas al ghiwane, yellow swans, lee ranaldo, glenn branca, django reinhardt, scott joplin, sir richard bishop, james blackshaw, bert jansch, tom rush, karen dalton, explosions in the sky, lemchaheb, jil jilala, low, modest mouse, blind lemon jefferson, mississippi john hurt, buster keaton, brothers quay, david lynch, jan svankmier, lumiere brothers, henry miller, ben okri, marquis de sade
Some Past Gigs
August 8th 2007 @ Songbird, Visions Bar, Dalston
August 18th 2007 @ Plac.Art.X, Regensburg, Germany
February 22nd 2008 @ Scaledown, Soho, London
Worktype: Grimprovisation Duo
Materials: noise, distortion, loops, voice, self devised instruments, radio, electric guitars, fx