An audio-visual redestructive performance by 7000dirhams (J Milo Taylor and Joel Cahen)

Year: 2007
Location: Greece
Worktype: Intermedia Performance
Materials: Super 8 projectors, slide projector, gasmasks, burning film, digital processing, text to speech, found records, cassettes, modified found slides.
Info: Destroy Athens Biennial

7000DH – Fukdapolis – Opening Theme (2007)

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7000DH – Fukdapolis – Second Theme (2007)

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Overview

The performance focuses on the regenerative aspect of destruction, understood as a process of mutation rather than a form of obliteration. It identifies cultural kitsch as a destructive element within a dematerializing process that creates a noise pool nurturing new patterns of identity and cultural production.

For this performance 7000dirhams has collated a small archive of this kitschified detritus in the form of archetypal melodies, folk and popular music, touristic memorabilia, live radio feeds, to create a rich sludge of source material.

The materials themselves (Super 8mm, souvenir slides and audio recordings), are cut into, burnt, degraded, looped and spliced with a savagery comparable to that embodied by their impoverished representations of a dynamic and living reality.

As such, the work attempts to address the gulf between the image of Athens as presented to the outside world, with that of the everyday, as experienced by Athenians themselves. It therefore presents an environment of plowed structures and splintered forms of Greek culture as filtered by the eyes and ears of two hapless fools from London.

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1st Athens Biennial – ‘Destroy Athens’. Public Opening: September 10, 2007. Technopolis, Gazi

Exhibition & Live entrance: 10 euros. 9pm.
Destroy Athens – Live is a reflection on processes of music & sound production within a visual arts ‘Biennial’ setting. Resisting the notion of ‘art-bands’, Destroy Athens – Live aims instead to describe a phenomenon: that of practitioners operating within different genres (media artists, musicians, film-makes, writers, designers, comic book & soft-toy makers, circuit benders etc) engaging in collaborations, collectives & media experiments that have diverse musical outputs.

From experimental politicised avant-pop commentary, to hip-hop jazz electronica improvisations, to real-time deconstruction & amplification of media, these acts all maintain a commitment to immediacy & non-virtuosity.
The Live part of the public opening engages the Biennial’s theme & purpose (‘Destroy Athens’), by treating Athens as a signal source to be sampled, tweaked with, looped, filtered, commented on and jammed along to. Through the use of on-site found & recorded sound & image, real-time local radio broadcasting interventions, and sonic-surgical media operations, the performers offer a response to context as they find it. Such a grounding for free & open improvisation is a platform for testing their own ignorance of so many aspects of the signal source – cultural, linguistic, historical, while drawing parallels with their own experiences as inhabitants of London, a multi-branded city.

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Artists: Antifamily, Infinite Livez vs DJ Tendraw, 7000 Dirhams
Curator: Chloe Vaitsou