Sound Performance with Gisle Froysland. Piksel
Trio with Wajid Yaseen and John Hegre, Metasonic Festival, Lisbon, Portugal
electric gtr / electric gtr /baritone gtr /drms / vox in latent lines). rehearsal room digital stereo recording: cable street studios.
demo for as yet untitled project
InCounter at the Bussey Building
A programme of video works and live sound performances exploring process and structure.
new sonic realities based in the dynamics and experience of movement in, between and through place and non-place. entities and environments. trajectories and tracings. mediation and event. themes of immersion, transit, non-human intelligences, infrasonic and ultrasonic forces. the work is entirely based upon notions of listening as composition. reception as construction. perception as the primary generative.
78rpms, popular music, hungarian, greek, Caribbean, american, british, arabic, jewish, calypso, jazz, soundtrack, country, ballad, rembetika, blues, childrens’
dusty, unclean, dirty, unmixed, unmastered, surface noise, decay, reactivation
original shellac discs
collected Jafo, Tel-Aviv, Israel. Autumn 2010
by sainsŵn and 612 D.J’s
Location: Quare Gallery, London
Worktype: Sound Installation
Materials: found speakers, 5.1 amplifier, squalor, dirt, voices, granulation, resonance, darkness.
Live performance commission based around the concept of ‘source-code’ which became an econo sound installation exploring some of the theoretical writing about sound proposed by Salomé Voegelin in her Listening to Noise and Silence: toward a Philosophy of Sound Arts, Continuum Press, NY, ISBN: 9781441162076
Exhibition documentation including video piece “Observer-Observing (Ears, Eyes, Ears & Mouth)” (2010) following Takahiko Iimura, Observer/Observed/Observer, chapter Camera 1/2 – Monitor 1/2