Taylor, J. Milo., Rivas, Francisco & Mesa, Miguel
Affiliation: Kunsthochschule für Medien Köln (KHM) / Fonoteca Nacional Mexico / Independent.
Research Focus: Listening Cultures, Media Archaeology, Sonic Anthropology: Methodologies of Sound in the Humanities

La Cantada: The Songs for the Dead in Naolinco town.

Abstract
When Spanish conquerors arrived on the Mexican Caribbean coast they encountered a town called Naolinco. To this day, an ancient annual tradition still occurs there: “El Día de todos los Santos” (The Day of Every Saint) – the so-called “day of the dead”. It is a time to remember the deceased and to renovate communication with them. In family homes, altars are made and at dusk, families walk to the cemetery to sing to their deceased. These special songs (cantada) are both ancient and syncretic, mixing indigenous traditions with the Catholic iconography of the invaders. Following their dedication, people move from house to house, visiting altars in the homes of others, singing the cantada. “Fiestas”, as noted by many anthropologists, configure the ritual and social calendar, articulating the sacred and profane, which, in this kind of community, become blurred. In this context sound becomes a “bridge” between two worlds consolidating the identity network of the inhabitants of Naolinco. We witnessed an auditory culture activating the “world of the dead” through ritualised and collectivised soundings. In this study we discuss our participation in the custom and we explore the function of this music in this specific context.


11th September 2012: Die Alter Feurwache, Cologne
12th September 2012: Scheune Schall, Stommeln

Custom electronics,, live video (vvvv).

With Zsolt Sörés, Christian Skjødt and Andrea Pensado.

Curated by Georg Dietzler.
http://www.gerngesehen.de/

Raumklänge – visual notations – musik intermedial – No 1

Ahad`s Masters Garden | Musik für’s Deutsche Haus
Erstaufführung
Animationsfilm und live-elektronische Musik mit selbstgebauten Instrumenten

Zsolt Sörés I Budapest | HU
Christian Skjødt | Aaalborg | DK
J. Milo Taylor | London | UK
Andrea Pensado | Salem, MA | USA
Zeitsprünge: Alte Stummfilme hat Zsolt Sörés bisher als filmische Notenschrift für die Konzerte zu Ahad’s Masters Garden ausgewählt, diesmal gibt’s einen veränderten Ansatz mit einem neuen Computeranimationsfilm. Mal abstrakt, mal animierte Zeichnungen mit fliegenden Schallplatten, Wortfetzen sowie bewegten Werbegrafiken von Schellackplatten aus den 20/30ern »Musik für’s Deutsche Haus« aufgespürt im Archiv von a-musik, Köln. Mit Originaleinspielungen aus dieser Zeit, Deutsche Swing- , Jazz-, Tango- , Kirchenmusik und Chansons, kurz mit dabei: Marlene Dietrich. Das Filmkonzert, ein Hörspiel im Notentakt eines Films erzählt Zeit-/Geschichte/n mit selbstgebauten Instrumenten, Kurzwellenempfängern, Radiosignalen, Frequenzen, Klangverfremdungen.

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Trio with Wajid Yaseen and John Hegre, Metasonic Festival, Lisbon, Portugal





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4-channel spectral improvisation with Joel Cahen and Wajid Yaseen
CHIESA DI SANTA EULALIA (Istituto Cervantes), Via Argenteria Nuova 33, Palermo

These images document an emerging methodology for working with situated sound recordings (a term I prefer to field or environmental recording – perhaps phonograph is preferable). I do not consider these digital files to point backwards in time towards some imagined documentation of a contingency typified by excess. They do present some trace of dynamical spectral activity. Such activity I understand to occur both in the frequency domain and also a mythical, haunted domain of lack, loss and absence.

The spectrograms, while found useful when dealing with many recordings of various duration, are of course an abstraction of the sound itself – they do however present, by this very abstraction, a playful means of re-rendering the recorded sound into something other.

This performance, as part of the Opensound project also suggested to me to explore a means of realtime 4 channel spatialisation using FLOSS tools. This performance was my first live experiment using a mashup of TouchOSC/PD/Ableton to move though an recombinatory 4 channel matrix of the spectral abstractions

http://www.ixem.it/
http://hexler.net/software/touchosc
http://puredata.info/

InCounter at the Bussey Building

A programme of video works and live sound performances exploring process and structure.

sainswn (wales/england)

new sonic realities based in the dynamics and experience of movement in, between and through place and non-place. entities and environments. trajectories and tracings. mediation and event. themes of immersion, transit, non-human intelligences, infrasonic and ultrasonic forces. the work is entirely based upon notions of listening as composition. reception as construction. perception as the primary generative.

Incounter website

http://www.scrapclub.co.uk/

1) Prelude
2) Breaking the Frozen Radio Sea
3) Uncertainty Relation (Memory tastes Metallic)
4) International Slo-Mo (As Recalled by Room Herself)
5) Spatial Resonances in Eventmind (Fly in Flames)

Bilwa Costas, Mariella Greil, Werner Moebius, Emily Sweeney, J Milo Taylor