Research Presentation: University of Brighton: July 2015

Abstract

In late 2014 a collection of various media was passed on to me by veteran sound practitioner Z’EV. This assemblage of auditory media artefacts (cassettes, CD’s, vinyl, CD-R), print materials (catalogues, magazines, posters) and various ephemera offers a unique insight into the aesthetic, technological and social-economic habitus of avant-garde “abstract” music in the period 1977-2014. Rare releases by such practitioners as Brion Gysin and Genesis P-Orridge, Carl Stone, Naut Humon, La Fura dels Baus and Diamanda Galás exist along ultra-obscure singular items (e.g. unreleased CD-R’s, rehearsal recordings) derived from the informal and shifting milieu associated with the nomadism of the touring musician / composer / sound artist.

This archive offers a unique potential both as a focus for research and as potential pedagogic material suitable for students of various disciplines.

This presentation will introduce some elements of the collection and sketch an initial theoretical framework for thinking through, existing in, and listening to, this diverse material. Key paradigms include media and sensory archaeology, entanglement theory and material studies, contemporary historiography and critical readings around notions of the archive and counter-archive.

Abstract Music in Europe and America 1977-2014: Webcast

http://szkiz.blogspot.com/
http://soundcloud.com/groups/szkiz/

SZKIZ is a European exchange project for musicians and artists working at the intersection of experimental electronic music, improvisation, acoustic instrumentation and visual art. The project is based on three fundamentals: the exchange of and cooperation between musicians and artists beyond national borders, the transfer of knowledge through the development of a common practice and the social discourse on music and visual art in Europe.