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Trio with Wajid Yaseen and John Hegre, Metasonic Festival, Lisbon, Portugal

with David Behrman (composer / laptop),
Okkyung Lee (cello) and William Forman (trumpet).

Curated by Hans W. Koch.












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4-channel spectral improvisation with Joel Cahen and Wajid Yaseen
CHIESA DI SANTA EULALIA (Istituto Cervantes), Via Argenteria Nuova 33, Palermo

These images document an emerging methodology for working with situated sound recordings (a term I prefer to field or environmental recording – perhaps phonograph is preferable). I do not consider these digital files to point backwards in time towards some imagined documentation of a contingency typified by excess. They do present some trace of dynamical spectral activity. Such activity I understand to occur both in the frequency domain and also a mythical, haunted domain of lack, loss and absence.

The spectrograms, while found useful when dealing with many recordings of various duration, are of course an abstraction of the sound itself – they do however present, by this very abstraction, a playful means of re-rendering the recorded sound into something other.

This performance, as part of the Opensound project also suggested to me to explore a means of realtime 4 channel spatialisation using FLOSS tools. This performance was my first live experiment using a mashup of TouchOSC/PD/Ableton to move though an recombinatory 4 channel matrix of the spectral abstractions

http://www.ixem.it/
http://hexler.net/software/touchosc
http://puredata.info/

Torture Garden

http://www.scrapclub.co.uk/

Member of Adachi’s Group at “Speaking Out” Symposium. Tate Modern, South Bank, London

This symposium focused on the use of the spoken word in artistic practice and its manifestations in sonic and audiovisual art works. Taking the lead from the recently published anthology of works Playing with Words: The Spoken Word in Artistic Practice, this event encompasses performances, talks and conversations by artists and researchers who employ spoken words as their material and inspiration.

Contributors included Adachi, Caroline Bergvall, Dani Gal, Brandon LaBelle, Cathy Lane, Oswaldo Macià, Nye Parry, Inua ‘Phaze’ Ellams, Imogen Stidworthy, David Toop and Trevor Wishart.

Organised by CRiSAP

http://www.adachitomomi.com/

http://www.tate.org.uk/modern/eventseducation/symposia/20795.htm

Sound, light and movement performance with Mariella Greil and Werner Moebius.

Audrey Chen (cello/voice/electronics)
Werner Moebius (electronics)
J Milo Taylor (electronics/electric baritone guitar)

Audrey Chen is a Chinese-American musician and performance artist born outside of Chicago in 1976. Using the cello, voice and analog electronics, Chen’s work focuses on the combination and layering of traditional and extended techniques. A large component of her music is improvised and her approach to this is often extremely personal and visceral. Her performance work incorporates sound, movement and visual/sculptural concepts. Chen performs solo and in collaboration with a wide number of musicians and dancers. Among musicians, she has worked with many great artists, including Phil Minton, Tetuzi Akiyama, Toshimaru Nakamura, Ko Ishikawa, Elliott Sharp, Aki Onda, Phill Niblock, Frederic Blondy, Jim Pugliese, Alessandro Bosetti, Mike Cooper, Mats Gustafsson, Mazen Kerbaj, Michael Zerang, Tatsuya Nakatani, Le Quan Ninh, Joe Mcphee, Susan Alcorn, Michele Doneda, Paolo Angeli, and Gianni Gebbia. Some current projects include: duos with Phil Minton, Frederic Blondy, Robert van Heumen, Katt Hernandez, Nate Wooley, a new trio project with Nate Wooley and C. Spencer Yeh, 3AandE: with Seamus Cater, Robert van Heumen and Nate Wooley and Trockeneis: with Andy Hayleck, Dan Breen, Catherine Pancake and Paul Neidhardt. Chen has performed in Europe, Russia, Australia, New Zealand, China, Japan, Taiwan and the USA. She is currently based in Baltimore, MD USA where she is member of the Red room and High Zero Collective, an on-going series and international festival devoted to experimental improvised music.

www.myspace.com/audreychen

Werner Moebius works with sounds, beats and files in the context of audio culture, sonic and intermedia art in between conceptualisms,contemporary music, electroacoustic improvisation and electronica. He uses the plasticity of sound to set up dialogues with other media and music methodologies. From abstract sound material he creates a unique mix of styles ranging from minimalistic soundscapes to weird instrumental poppy tunes. Generating sounds is taken as a basis to develop complex compositions as well as audiovisual and transitive concepts in collaborations with artists of differing media.

Works, performances and collaborations with many artists including Fennesz, Christoph Kurzmann, Gelatin, F.M.Einheit, David Moss, Jason Khan, N.U.Unruh, Hans Joachim Roedelius, Billy Roisz, Cornelie Müller, Alexeij Sagerer, Hanno Leichtmann, Johannes Strobl, Stephan Mathieu, Rudi Mahall, Didi Bruckmayer, Alexander de Goederen, Oliver Hangl, Ulli Koscher, Heidrun Holzfeind, Paul Divjak, Georg Wagenhuber, Christoph Hinterhuber, Machfeld, Gernot W. Koza, Frenk Lebel, Hans Falb, Stefan Parnreiter, Renèe Stieger, Phillip Quehenberger, Marco Eneidi, Hermann Stangassinger, Hannes Schweiger, Wilbert de Joode, DD Kern, Lee Patterson, Gene Coleman, Todd Carter , Mariella Greil.

www.wernermoebius.net