J. Milo Taylor, George Brock-Nannestad, Dirk Specht
Kunsthochschule für Medien Köln

This paper approaches noise from a media anarcheological paradigm closely informed by Siegfried Zielinski’s notion of “deep media time”. The observation that noise is not absolute, but is variable is somewhat banal; yet if the temporal, methodological and aesthetic scope is extended beyond the conventional discourses around noise what implications for practice may be drawn?

The origins of the paper derive from a research fellowship undertaken at the Kunsthochschule für Medien Köln which dealt with sound, noise and listening as practice-based research methodologies. A selection of discarded shellac records (cultural noise) forms the material basis of this study. This media detritus contains program material created during a problematic yet arbitrary period of Cologne’s past (1929-62 – this period defined simply by the contingent array of shellacs found). These discs also offer today’s listeners traces and scars of the damage and decay these traumatised objects have experienced in their lifetime.
These material artefacts are noiseful in many regards: a conventional approach to archiving or preserving these might involve media migration into the digital domain after which processes of “noise-cleaning” may be undertaken. Such cleaning may aim to remove “noise” from “signal”. Yet how is such difference established? There are plentiful examples of problematic media cleansing – and a central issue explored in this paper is this distinction between what the authors frame as “primary” and “secondary” information.

Hence, issues around the context and techniques used during the original recording (e.g. frequency transfer functions), the means by which this recording is produced as a capitalist object (e.g. post-emphasis curves), and the subsequent unintended inscriptions upon the media surface in the course of the objects’ biography (e.g. careless handling) provide a deep media perspective upon the noisy media object.




Soundscape Composition with Tito Rivas
Re:Mex
Fonoteca Nacional, Mexico City.

2012 (226)

Self-built photo-sensitive digital synthesiser

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Performances
October 3rd 2012: Klangkunst Mutiny I @ Ms Stubnitz

November 21st 2012: Klangkunst Mutiny II @ Ms Stubnitz

27th August. 2012: Piksel , Bergen, Norway






11th September 2012: Die Alter Feurwache, Cologne
12th September 2012: Scheune Schall, Stommeln

Custom electronics,, live video (vvvv).

With Zsolt Sörés, Christian Skjødt and Andrea Pensado.

Curated by Georg Dietzler.
http://www.gerngesehen.de/

Raumklänge – visual notations – musik intermedial – No 1

Ahad`s Masters Garden | Musik für’s Deutsche Haus
Erstaufführung
Animationsfilm und live-elektronische Musik mit selbstgebauten Instrumenten

Zsolt Sörés I Budapest | HU
Christian Skjødt | Aaalborg | DK
J. Milo Taylor | London | UK
Andrea Pensado | Salem, MA | USA
Zeitsprünge: Alte Stummfilme hat Zsolt Sörés bisher als filmische Notenschrift für die Konzerte zu Ahad’s Masters Garden ausgewählt, diesmal gibt’s einen veränderten Ansatz mit einem neuen Computeranimationsfilm. Mal abstrakt, mal animierte Zeichnungen mit fliegenden Schallplatten, Wortfetzen sowie bewegten Werbegrafiken von Schellackplatten aus den 20/30ern »Musik für’s Deutsche Haus« aufgespürt im Archiv von a-musik, Köln. Mit Originaleinspielungen aus dieser Zeit, Deutsche Swing- , Jazz-, Tango- , Kirchenmusik und Chansons, kurz mit dabei: Marlene Dietrich. Das Filmkonzert, ein Hörspiel im Notentakt eines Films erzählt Zeit-/Geschichte/n mit selbstgebauten Instrumenten, Kurzwellenempfängern, Radiosignalen, Frequenzen, Klangverfremdungen.







Hans W. Koch
Christian Skødt
Zsolt Sorés Ahad



With the Bergen Impro Big Band .
Led by John Hegre and Lasse Marhaug (Jazkamer)

AVAGRDE har gleden av å åpne sin trettende sesong, høsten 2012, med festivalen:

Pannekaker: Konserttur gjennom syv byrom
1. september 10:00-23:00

Kl 10:00 Bergen Offentlige Bibliotek
Kl 12:00 Konsertpaleet KP 9
Kl 14:00 Bredsgården, Bryggen
Kl 16:00 Studentsenteret
Kl 18:00 Musikkpaviljongen
Kl 20:00 Bergen Kjøtt
Kl 22:00 Kosmo klubben

Medvirkende: Jazkamer, Bergen Impro Storband, Ny Musikk Bergen og Avgarde

Festivalen foregår på syv forskjellige steder i Bergen, i løpet av en dag! Turen begynner på Bergen Offentlige Bibliotek kl 10:00. En lang dag, med mye fantastisk musikk tar publikum fra sted til sted, scene til scene, og de akkustiske rom fylles med fine klanger, spilt av Jazkamer og Bergen Impro Storband. Konsertdagen avsluttes i Kosmo klubben kl 22:00.
Det er gratis adgang til alle konsertene. Kom og bli med på tur!

http://bergenkjott.andreelvan.net/news/show/avgarde-pancakes

Sound Performance with Gisle Froysland. Piksel

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Trio with Wajid Yaseen and Colin Hacklander. Kosmo, Bergen, Norway.

Audio-Visual Installation / Live A-V Performance
Built with vvvv

Presented at:

12th September 2012: Scheune Schall, Stommeln (performance)

11th September 2012: Die Alter Feurwache, Cologne (performance)

12th-15th July 2012: Rundgang , KHM Cologne (installation and performance)

28th June 2012: Metasonic@ IPA, Lisbon, Portugal (performance)

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Trio with Wajid Yaseen and John Hegre, Metasonic Festival, Lisbon, Portugal