Spectral Traces: Live Set @ Live!iXem 2011, Sicily


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SAINSWN
4-channel spectral improvisation with Joel Cahen and Wajid Yaseen
CHIESA DI SANTA EULALIA (Istituto Cervantes), Via Argenteria Nuova 33, Palermo

These images document an emerging methodology for working with situated sound recordings (a term I prefer to field or environmental recording – perhaps phonograph is preferable). I do not consider these digital files to point backwards in time towards some imagined documentation of a contingency typified by excess. They do present some trace of dynamical spectral activity. Such activity I understand to occur both in the frequency domain and also a mythical, haunted domain of lack, loss and absence.

The spectrograms, while found useful when dealing with many recordings of various duration, are of course an abstraction of the sound itself – they do however present, by this very abstraction, a playful means of re-rendering the recorded sound into something other.

This performance, as part of the Opensound project also suggested to me to explore a means of realtime 4 channel spatialisation using FLOSS tools. This performance was my first live experiment using a mashup of TouchOSC/PD/Ableton to move though an recombinatory 4 channel matrix of the spectral abstractions

http://www.ixem.it/
http://hexler.net/software/touchosc
http://puredata.info/

Cassette Release: HEARTSWIN – TAMMUZ

WW20-Heartswin-Project-Page

http://woodandwire.com.au/project/ww20-heartswin-tammuz/

with Sar Friedman (concept, voice, harmonies & arrangement)

Olivia Chaney, Harmonium, Voice, http://www.myspace.com/oliviachaney/music
Serafina Steer: Harp, Voice www.serafinasteer.com
Joe McKee: Guitar
Cecil Cuthbertson: Oboe
J Milo Taylor: baritone guitar, treatments, engineer, co-producer
Cover Still – Penny Vozniak
Artist Photograph – Bianca Markwell

Acoustic Ecology Conference: Paper Presentation

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WFAE 2011: Crossing Listening Paths

Keynote Speakers:
R. Murray Schafer, Katharine Norman, Allen S. Weiss.

‘Crossing listening paths’ is the main theme of the Conference of the World Forum for Acoustic Ecology, which took place at the Department of Music of the Ionian University in Corfu, Greece from 3-7 of October 2011.

The conference was endorsed by the World Forum for Acoustic Ecology and the Hellenic Society for Acoustic Ecology, was organized and co-sponsored by the Department of Music of the Ionian University and the Electroacoustic Music Research and Applications Laboratory (EPHMEE) of the Ionian University, and was supported by the Computer Music Laboratory of the Department of Music Technology and Acoustics of the Technological and Educational Institute of Crete.

http://www.akouse.gr/wfae2011/

Dredspace #1: Blood & Fire


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